Search results for " iconography"

showing 10 items of 48 documents

Materiality and atmosphere. Two American beat artists painting Europe

2019

The article discusses how European painting heavily influenced two American Beat painters in the post war years. Post-war American painting was often concerned with breaking away from traditional iconography and style, but Jay DeFeo and Joan Brown chose to engage with European traditional painting. Both artists travelled to Europe early in their careers and both declare an intense interest in European painters, paintings, and architecture. In Brown’s case particularly the works of Goya, Velazquez, and Rembrandt become scrutinized and remodeled in her pasty abstract style. De Feo, on her hand, states a particular interest in how the European cities’ distinct colors, lights and textures inspi…

050101 languages & linguisticslcsh:Fine Artsmedia_common.quotation_subjectArt historylcsh:Aamerican abstract expressionismjoan brownlcsh:AZ20-9990501 psychology and cognitive sciencesmedia_commonPaintinglcsh:NX1-820General Arts and Humanities05 social sciencestraditional iconography050301 educationArtlcsh:Arts in generallcsh:History of scholarship and learning. The humanitiesbeat culturebeat artjay defeoeuropean iconographyMateriality (law)Post warVDP::Humaniora: 000::Kunsthistorie: 120lcsh:Nlcsh:General Works0503 educationBeat (music)Cogent Arts & Humanities
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Beyond the myth: A social interpretation about the mosaic of the Twelve Labours of Hercules (Liria, Valencia)

2018

On the occasion of the centenary of the mosaic’s discovery of the Twelve Labours of Hercules in Liria (Valencia), this article aims to approach to some aspects overlooked in previous works. Within the study of Roman domestic spaces, the room’s decoration is an essential factor in order to understand its function. Over the years, several studies have focused their efforts on a descriptive analysis of the mosaic, mentioning only the social interpretation, whereas the current trends try to analyze other aspects such as the study of elites and their symbolism. For this reason, our goal in this article is to analyze the social aspect of this pavement, which particular choice of the central motif…

ArcheologyHistoryHistoryRoman art; domus; iconography; mythologyInterpretation (philosophy)Identity (social science)arte romano; domus; iconografía; mitologíamitologíaarte romanoMosaicMotif (narrative)iconografíaArchaeologydomusHumanitiesOrder (virtue)CC1-960Archivo Español de Arqueología
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La fase del Ibérico final en el asentamiento del Torrelló del Boverot (Almazora, Castellón): dos piezas cerámicas singulares

2000

Since the end of 1988, when excavation was resumed at the Torrelló del Boverot site in Almazora (Castellón), large amounts of material —mostly ceramics— have been recovered, dating from the end of the Iberian period, which, chronologically, marked the end of the village's life. This paper discusses two unusual ceramic pieces from this late period, documented during the excavations that took place in 1995, undertaken in the central area of the site. The records obtained in this work matches that of a batch of materials donated to the Museum of Almazora by the amateurs who excavated this village in the mid-1970s.

ArcheologyHistoryIberian epigraphyCerámica ibéricaIconografía ibéricaArqueologiaCerámica ibérica; Iconografía ibérica; Epigrafía ibérica; Yacimiento de El Torrelló del Boverol (Almazora Castellón)Castellón)yacimiento de el torrelló del boverol (almazoraEpigrafía ibéricaIberian potteryIberian iconographySite of El Torrelló del Boverot (Almazoralcsh:CC1-960IconographySite of El Torrelló del Boverot (Almazora Castellón)Yacimiento de El Torrelló del Boverol (AlmazoraYacimiento de El Torrelló del Boverol (Almazora Castellón)Iberian pottery; Iberian iconography; Iberian epigraphy; Site of El Torrelló del Boverot (Almazora Castellón)ExcavationArchaeologyEpigraphyGeographyArchaeologyLate periodlcsh:Archaeologycastellón)CC1-960Archivo Español de Arqueología
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Immagini ed echi di Augusto in Sicilia: realia e contesti, res incertae vel alienae

2022

The paper gathers and analyzes the data useful for reconstructing the reception and the legacy of Augustus’ image in Sicilian civic contexts. Beside the four portrait heads from Syracuse, Centuripe, Tyndaris, Taormina, several sculptural, epigraphic and numismatic testimonia are considered from the above-quoted cities and other Sicilian sites. Except for few more ancient inscriptions/statues(?) (Syracuse) and coins (Segesta), a key moment in the response by the local civic communities to the imperial model is around Augustus’ visit of 21 B.C. and in the immediate period after his death. Moreover, a series of testimonia, mainly inscriptions and coins, belong to mid(-late) Augustan age, parti…

Augustus Iconography Sicily Sicilian Cities Statues and Julio-Claudians Groups Reliefs Coins ContextsSettore L-ANT/07 - Archeologia Classica
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La fortuna iconografica del beato Agostino Novello in Toscana e Sicilia

2021

This paper aims to investigate the cult and iconographic critical fortune of Beato Agostino Novello in Tuscany and Sicily throughout the centuries. It deals with the analysis of the famous painting by Simone Martini Il Beato Agostino Novello and four of his miracles, on which in 1985 Giovanni Previtali had promising opinions.

Beato Agostino Novello Tuscany Sicily iconography Giovanni PrevitaliSettore L-ART/02 - Storia Dell'Arte Moderna
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History, Iconography and Digital Drawing for Architectural Heritage: The Case Study of the Church of S. Nicolò alla Kalsa in Palermo (Sicily)

2022

This contribution aims to test the efficiency of a research methodology based on an interdisciplinary approach. This is to be achieved through the case study of the disappeared church of S. Nicolò alla Kalsa in Palermo, an imposing medieval building dating back to the thirteenth and fourteenth centuries and demolished after an earthquake in 1823. The reconstruction of the original configuration of this disappeared monument was achieved through traditional research sources and tools in the field of architectural and urban history, as well as architectural drawing, relying on both traditional and up-to-date digital technologies. The main source used for this virtual reconstruction is a rich h…

Church of S. Nicolò alla KalsaHistorical iconographySettore ICAR/17 - DisegnoSettore ICAR/18 - Storia Dell'Architettura3D modelling
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Pero Tafur and Bertradon de la Broquière in Constantinople: The Ceremonial Image of Mary of Trabzond and the Diplomatic Meetings around the Council o…

2019

After the fall of Constantinople (1453), Pero Tafur and Bertrandon de La Broquière make known their works, which are two of the most important travel books written in Europe during the fifteenth century. Both travellers had known, between fifteen and twenty years before, the emperor of Greece, John VIII Palaiologos, Pope Eugene IV and other protagonists of the councils of Basel (1431-1434) and Ferrara-Florence (1438-1439), which decreed the union between the Roman and Greek churches. The travellers were, thus, witnesses, but also informants and active diplomats for the attempts of religious and political union, which Pope Pius II tried to revive after the fall of Constantinople. Tafur and L…

Cultural StudiesHistoryVisual Arts and Performing ArtsHistoria iconografía LiteraturaHistory iconography LiteraturePero Tafur Bertrandon de La Broquière Maria de Trebisonda Pisanello Concilio de Ferrara Libros de viajesPero Tafur Bertrandon de La Broquière Mary of Trabzond Pisanello Council of Ferrara Medieval Travel BooksMedievalia
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Graphic readings and digital configurations: Akragas, Girgenti and Agrigento

2018

The study deals with a graphic analysis of the city of Agrigento through the identification of the territorial, urban and architectural peculiarities that have designed its evolution. Starting from the landscape representations realized since the sixteenth century, the views from the sea by Spannocchi, the glances on the apric territory by Pancrazi, the Hellenic ruins inside the medieval Girgenti by Martorana and the Grand Tour travelers’ productions, the urban transformations of Agrigento are reconstructed starting from the points of view adopted by the draftsmen. The aim is to provide a description through images of the multiple points of view with respect to which the territory has been …

DrawingArchitectural drawing and designDrawing digital modeling Agrigento Grand Tour iconographygrand tourdrawingagrigentoNA1-9428ArchitectureGrand TourSettore ICAR/17 - Disegnodigital modelingiconographyNA2695-2793Agrigento
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Emblemática mariana. Flores de Miraflores de Fray Nicolás de la Iglesia

2009

Fray Nicolás de la Iglesia, prior de la Cartuja de Burgos, mandó decorar una capilla dedicada a la Virgen con emblemas marianos. Poco después, entre 1653-54, los insertó —añadiendo otros nuevos, hasta un total de cincuenta y uno— en un libro dedicado exclusivamente a la Inmaculada titulado: Flores de Miraflores, hieroglificos sagrados, verdades figuradas, sombras verdaderas del Mysterio de la Inmaculada Concepción de la Virgen y Madre de Dios María Señora nuestra. Se da así la circunstancia de que un conjunto pictórico origina una obra escrita. En este artículo se analizan los jeroglíficos creados por fray Nicolás explicando sus fuentes y significado. Friar Nicolás de la Iglesia, prior of t…

Emblemática mariana. Iconografía mariana. Cartuja de Miraflores. Nicolás de la Iglesia.Marian emblematics. Marian iconography. Carthusianmonasteryof Miraflores. Nicolás de la Iglesia.
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A Search for the Hidden King: Messianism, Prophecies and Royal Epiphanies of the Kings of Aragon (circa 1250-1520)

2019

Modern historiography has studied the influence of messianic and millennialist ideas in the Crown of Aragon extensively and, more particularly, how they were linked to the Aragonese monarchy. To date, research in the field of art history has mainly considered royal iconography from a different point of view: through coronation, historical or dynastic images. This article will explore the connections, if any, between millennialist prophetic visions and royal iconography in the Crown of Aragon using both texts and the figurative arts, bearing in mind that sermons, books and images shared a common space in late medieval audiovisual culture, where royal epiphanies took place. The point of depar…

Germanias revoltHistoryroyal iconography0507 social and economic geographyprophetismContext (language use)Crown of Aragon050701 cultural studies060104 historyMonarchy0601 history and archaeologyIconographyVisual cultureArt gòticVisionlcsh:NX1-820messianism05 social sciencesHistoriography06 humanities and the artsGeneral Medicinelcsh:Arts in generalMessianismapocalyptic visionsCoronationClassics
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